#1 -> Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]


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Product Description Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year. A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games) Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it actually end the way you planned it from the beginning? A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process. Q: We understand you worked on the initial screenplay for a film to be based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay? A: There were several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you can't take everything with you. The story has to be condensed to fit the new form. Then there's the question of how best to take a book told in the first person and present tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to all of her thoughts so you need a way to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of things are acceptable on a page that wouldn't be on a screen. But how certain moments are depicted will ultimately be in the director's hands. Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully that it is too difficult to think about new ideas? A: I have a few seeds of ideas floating around in my head but--given that much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and I can begin to develop it. Q: The Hunger Games is an annual televised event in which one boy and one girl from each of the twelve districts is forced to participate in a fight-to-the-death on live TV. What do you think the appeal of reality television is--to both kids and adults? A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, it doesn't have the impact it should. Q: If you were forced to compete in the Hunger Games, what do you think your special skill would be? A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope would be to get hold of a rapier if there was one available. But the truth is I'd probably get about a four in Training. Q: What do you hope readers will come away with when they read The Hunger Games trilogy? A: Questions about how elements of the books might be relevant in their own lives. And, if they're disturbing, what they might do about them. Q: What were some of your favorite novels when you were a teen? A: A Tree Grows in Brooklyn by Betty Smith The Heart Is a Lonely Hunter by Carson McCullers Nineteen Eighty Four by George Orwell Anna Karenina by Leo Tolstoy Slaughterhouse-Five by Kurt Vonnegut A Wrinkle in Time by Madeleine L’Engle Lord of the Flies by William Golding Boris by Jaapter Haar Germinal by Emile Zola Dandelion Wine by Ray Bradbury (Photo © Cap Pryor) Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it is for world control. While it is a clever twist on the original plot, it means that there is less focus on the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and at her own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of each of the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Park╬▒(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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#1 -> Catching Fire (The Second Book of the Hunger Games) [Kindle Edition]


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Starred Review. Gr 7 Up--Every year in Panem, the dystopic nation that exists where the U.S. used to be, the Capitol holds a televised tournament in which two teen "tributes" from each of the surrounding districts fight a gruesome battle to the death. In The Hunger Games, Katniss Everdeen and Peeta Mellark, the tributes from impoverished District Twelve, thwarted the Gamemakers, forcing them to let both teens survive. In this rabidly anticipated sequel, Katniss, again the narrator, returns home to find herself more the center of attention than ever. The sinister President Snow surprises her with a visit, and Katniss’s fear when Snow meets with her alone is both palpable and justified. Catching Fire is divided into three parts: Katniss and Peeta’s mandatory Victory Tour through the districts, preparations for the 75th Annual Hunger Games, and a truncated version of the Games themselves. Slower paced than its predecessor, this sequel explores the nation of Panem: its power structure, rumors of a secret district, and a spreading rebellion, ignited by Katniss and Peeta’s subversive victory. Katniss also deepens as a character. Though initially bewildered by the attention paid to her, she comes almost to embrace her status as the rebels’ symbolic leader. Though more of the story takes place outside the arena than within, this sequel has enough action to please Hunger Games fans and leaves enough questions tantalizingly unanswered for readers to be desperate for the next installment. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Reviewers were happy to report that the Hunger Games trilogy is alive and well, and all looked forward to the third book in the series after this one's stunning conclusion. But they disagreed over whether Catching Fire was as good as the original book Hunger Games or should be viewed as somewhat of a "sophomore slump." Several critics who remained unconvinced by Katniss's romantic dilemma made unfavorable comparisons to the human-vampire-werewolf love triangle in Stephenie Meyer's Twilight series. But most reviewers felt that Catching Fire was still a thrill because Collins replicated her initial success at balancing action, violence, and heroism in a way that will enthrall young readers without giving them (too many) nightmares.

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